Abstract Photography
Abstract photography, or conceptual photography is the photography which focuses on the shape, form, pattern colour and texture, An abstract image isolated a fragment of the whole object, ignoring the literal view of the object. The history of abstract photography began nearly a decade after the invention of photography, with pioneers, John William Draper who created images with a spectroscope and Anna Atkins who would place algae on cyanotype paper creating some form of abstract photography. With the rise of popularity of the movements of cubism futurism, more artists were interested in exploring this new form of art (Abstract Photography) which popularity was increasing significantly during the 1920s and 1930s. In the 21st century, "Any boundaries that remained between pure artists and pure photographers were eliminated by individuals who worked exclusively in photography but produced only computer-generated images."
My interpretation:
The purpose of this task was to create abstract images by the use of only one piece of paper, which we could fold it, light and some filters. For the purpose of this task I folded and rolled the paper in different ways and tried to explore new shapes and ideas how to combine light and paper together in different ways, I tried to focus as much as I can to my object as that makes it more abstract and give detail to the depth of field and the shadows which add more elements to my images. After that I used Photoshop to enhance my images, by increasing the contrast and gamma correction to give more detail and decrease the blur, and experimented with hue and different colour filters.
WWW: I felt that that I managed to compose some images that were quite compelling and depicted the abstract element in most of them. I really like the first two images, where the colour and shadows of the paper in combination with the soft light and hue, create a nice composition. I also think that the fact that I did not scratch or crumpled the paper but left it clear and straight helped a lot. The manipulation of light in the first one make the image really nice as it is coming out of the hole and it is quite soft, and the use of dark filters, approaches more the artists discussed above, who generally do not make use of bright and strong colours.
EBI: I think that I could have increased the number of images by changing the angle, and perspective of the paper and also with different folding of the paper.
Additionally the exploration of different locations to use as background for my paper would have led to a greater variation of images.
EBI: I think that I could have increased the number of images by changing the angle, and perspective of the paper and also with different folding of the paper.
Additionally the exploration of different locations to use as background for my paper would have led to a greater variation of images.
Tate Britain Exhibition - Painting With Light
"This exhibition celebrates the visual links between early photography and British art, bringing together fascinating vintage photographs and stunning paintings including Pre-Raphaelite, aesthetic and impressionist works. Spanning 75 years across the Victorian and Edwardian ages, the exhibition showcases the
experimental beginnings of photography right through to its flowering as an independent international art form. These are displayed alongside the paintings which they inspired and which inspired them.This is the first time works by John Everett Millais, Dante Gabriel Rossetti, JAM Whistler, John Singer Sargent and others will be shown alongside photographs by pivotal early photographers such as Julia Margaret Cameron and Alvin Langdon Coburn."
experimental beginnings of photography right through to its flowering as an independent international art form. These are displayed alongside the paintings which they inspired and which inspired them.This is the first time works by John Everett Millais, Dante Gabriel Rossetti, JAM Whistler, John Singer Sargent and others will be shown alongside photographs by pivotal early photographers such as Julia Margaret Cameron and Alvin Langdon Coburn."
Abstraction in Berlin
Due to the massive damage with the loss of my practical work and the glitch on my computer, I didn't manage to find the abstract images. So the perfect chance to take new ones was the Berlin trip. I focused on capturing part of the scenery I saw, creating abstract images. I photographed a variety of subjects from lights, to sing and inside of buildings. I turned some of my images in black and white as I felt that this suited them better. After, I chose my favourite ones and processed them in Photoshop to enhance them and give out the vibrant and more toned colours. I am a true believer of Photoshop as I see it as a way of enhancing the images and perfecting them, seeing it as an artistic piece, rather than trying to cover up mistakes and the truth. In order to create abstract images, I looked my subject from different angles and perspective capturing only part of the image I wanted to be seen, as i think that it is fundamental in order to create abstraction.
WWW: I was very pleased with the result and the way my images look. I like the vibrant and clean look of some of them and the more abstract form of others. I feel that overall I managed to depict the subject of the task which was "Abstraction Walk", as I photographed throughout the city different parts of it.
EBI: I think that I could improve the task in term of taking more pictures with various subjects and more and interesting angles.
EBI: I think that I could improve the task in term of taking more pictures with various subjects and more and interesting angles.
Flower Market - Borough
The task was to visit a Flee Market and try and capture the life around us and through that, experience the challenges of being a documentary photographer. I decided to visit Borough Market, because it was the closest one to Tate Britain and photograph the local product and the market with the shop owners, although the majority of them where reluctant to being photographed, and some where busy. I went around the market and photographed as much as I could, and tried to get as much close to my object and pay attention to the framing. Because the day was foggy and the images where not very sharp, I opened my images in Photoshop and processed them increasing contrast and altering the curves. Below there some contact sheets I created to show the variety of my images and the selection I made from the raw images.
For this task I also used some images I took during the summer, in Colmar, France, in a flee market, because the content of my entire webpage was accidentally deleted and due to a problem with my laptop I lost most of my work. I could retrieve most of it back but due to the lack of some of them I had to use other images from different projects, which of course relate to the current one.
WWW: I feel I managed to explore this new style of photography : documentary, and created some nice images. Especially with the Photoshop manipulation I enhanced them and gave them more vibrant colours. I frames the life and the crowds in the market as well as isolated objects. I experimented with different perspectives and gave a variety to my images.
EBI: What I could have done better is to probably have more images with he people who work there and interact with their environment in the everyday life.
EBI: What I could have done better is to probably have more images with he people who work there and interact with their environment in the everyday life.
Cyanotypes
To create the cyanotypes we used photosensitive paper and small objects which were placed on top of the paper and left for about 18 minutes under the sun. The time usually varies depending on high sunny it is, and that us why I exposed mine quite long because that day was cloudy. I used flowers, leaave, keys and other small objects and place a glass on top of them to compress them and let the sun rays pass through the gaps creating a nice effect. After I exposed my images, I returned to the lab and placed the images in clean water, and that is when the blue colour starts coming off. The effect was really nice and thus I was really pleased. I think by choosing a greater variety of objects and placing them in different ways I could have created more images.
Anna Atkins - 1843
Chemigrams
Chemigrams comes from the word "chemistry" and the Greek word "gramma" which means something written on paper, and it is an experimental artistic process of using chemicals to paint on light sensitive paper. Johan Schulze in 1725 was the first one to create a chemigram like image, but Pierre Cordier is responsible for expanding the knowledge and development of chemigrams.
In class we used photographic paper along with honey, oil, Nivea cream, washing liquid and orange juice.
Process as described from Wikipedia Source:
A chemigram is made by painting with chemicals on photographic paper and lies within the general domain of experimentation in the visual arts. It requires the use of materials from silver halide-based photography (light-sensitive paper, developer, and fixer), but it is not a photograph. Like the photogram, the chemigram is made without a camera, yet it is created in full light instead of in the darkness of the darkroom. For this reason it is not "light that writes" (photo graphein in the Greek) but rather "chemistry that writes".Chemigrams can be made solely with photo paper, developer, and fixer, with results that will somewhat resemble watercolor. The possibilities can be multiplied by using materials from painting (such as varnish, wax, or oil). These kinds of experiments are akin to those of Paul Klee, Max Ernst, and Antoni Tàpies.
Unlike chemigrams the production process of chemograms consists of two different steps. First an enlarger is used to partly or fully process a photographic image onto photographic paper in the darkroom and thereafter the chemicals are applied in full light.
In class we used photographic paper along with honey, oil, Nivea cream, washing liquid and orange juice.
Process as described from Wikipedia Source:
A chemigram is made by painting with chemicals on photographic paper and lies within the general domain of experimentation in the visual arts. It requires the use of materials from silver halide-based photography (light-sensitive paper, developer, and fixer), but it is not a photograph. Like the photogram, the chemigram is made without a camera, yet it is created in full light instead of in the darkness of the darkroom. For this reason it is not "light that writes" (photo graphein in the Greek) but rather "chemistry that writes".Chemigrams can be made solely with photo paper, developer, and fixer, with results that will somewhat resemble watercolor. The possibilities can be multiplied by using materials from painting (such as varnish, wax, or oil). These kinds of experiments are akin to those of Paul Klee, Max Ernst, and Antoni Tàpies.
Unlike chemigrams the production process of chemograms consists of two different steps. First an enlarger is used to partly or fully process a photographic image onto photographic paper in the darkroom and thereafter the chemicals are applied in full light.
I felt the result was pretty good and abstract enough. After I developed my images, I enhanced them in Photoshop as they lost their tone and colour. I really the mixture of purple and white with the black background and the flaming effect of the honey. The texture that my materials add to the image is pretty interesting in combination with the harsh lines create an abstracted look. I think I could have increased the number of images I processed and by using a greater variety of materials I could have expanded the range of colour produced and the subjects.
Documenting a trip - A journey through Europe
As an extension to documentary photography, we were asked to document the journey we made over the summer, use our camera as a window to the world, and try to capture the reality as it unfolds. I decided to document the Road Trip I did with my family and a close friend. We started from Muswell Hill, North London and the destination was Athens, Greece. The trip lasted about 2 weeks as we stayed in hotels during the trip and we were exploring the cities near the main highway, and the total distance was 2000 miles. We crossed through the Channel Tunnel to Calais, we crossed France, then we passed through Switzerland and the Alps and the the entire "leg" of Italy till Bari. There we took the ferry and reached north Greece where we drove abut five hours to go to central Greece where Athens resides. Below I decided to present only for of the cities we visited as these where the main attractions we visited and I felt the images I took there were more representative of the task.
Colmar - France
The first town we visited was Colmar, a town in Eastern France of population about 68,000 people. The town of Colmar sits on the Alsatian Wine Route and is considered the "capitale des vins d'Alsace". The city was founded in the 9th century, and in an ancient text dating back to 823 by the monk Notker Balbulus, it is mentioned as "Columbarium Fiscum". The Colmar Treasure, a hoard of precious objects hidden by Jews during the Black Death, was discovered here in 1863
Colmar's sunny microclimate and as one of the driest cities in France, makes it ideal for Alsace wine. The city centre is perfectly preserved up today with the secular and religious architectural landmarks in a perfect condition. The buildings reflect eight centuries of Germanic and French architecture with the adaptation of the way of life of the locals and the available materials such as sandstone and timber.
The vibrant colours of the city with the small local cafes and shops, in combination with the flours all over the city and the running water of the river is what make the city look like a paradise. The day was warm and dry and a few local people were around the city. I really enjoyed the fact that the city does not attract huge masses of tourist but a few wine tasters from the surrounding towns.
Colmar's sunny microclimate and as one of the driest cities in France, makes it ideal for Alsace wine. The city centre is perfectly preserved up today with the secular and religious architectural landmarks in a perfect condition. The buildings reflect eight centuries of Germanic and French architecture with the adaptation of the way of life of the locals and the available materials such as sandstone and timber.
The vibrant colours of the city with the small local cafes and shops, in combination with the flours all over the city and the running water of the river is what make the city look like a paradise. The day was warm and dry and a few local people were around the city. I really enjoyed the fact that the city does not attract huge masses of tourist but a few wine tasters from the surrounding towns.
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Lucerne - Switzerland
The second stop we did during our trip was in central Switzerland, in the city Lucerne. Lucerne is the capital of the canton of Lucerne and and the main language is German. It has a population of around 80,000 people as of 2013 and is one of the main tourist destinations in Central Switzerland. The geographical advantage of the city as it's in the middle of Switzerland, is what made Lucerne an economic and cultural center. Lucerne lies on the shores of Lake Lucerne and its outflow, the river Reuss, being surrounding by the mounts Pilatus and Rigi in the Swiss Alps.
Tell A Story - Mount Pilatus (Lucerne Switzerland )
The Ghost Of Pontius Pilate:
Soon after the death of Roman governor Pontius Pilate, the myth spread that he had met a disreputable end. This belief was strengthened by the lack of a grave and conflicting reports of the cause of his death. Since the 15th century, it had been said that Tiberius Caesar had had Pontius Pilate thrown into chains as a punishment for condemning Jesus Christ, whereupon Pilate committed suicide. His body was thrown into the Tiber, but the river rebelled against it with great floods. The body was pulled out again and sunk in the Rhone. Alas the ghost of the damned once again caused trouble. It was then decided to sink Pontius Pilate in a tiny remote lake on Oberalp on Mount Pilatus. This apparently resulted in some degree of peace. Only once a year, on Good Friday, did Pilate allow himself to be seen, during the Passion, seated on a chair in the middle of Lake Pilatus – with flowing grey hair and wearing the purple regalia of a judge. Ghost banished in 1585: In the mid-16th century, fear began to abate and in 1585, Lucerne's priest, accompanied by a plucky band of townspeople climbed Mount Pilatus to challenge the ghost. They threw stones into lake, churned up the water and waded in it – but the ghost did not react: the spell was apparently broken. To make sure that the ghost of Pontius Pilate had also ceased its thunderstorm invoking activities, in 1594 a gap was dug in the wall of the pond on Oberalp to dry it out. It wasn't until 400 years later, in 1980, that people ventured to close the gap again. Today the peaceful lake exists once more. And the ghost of Pontius Pilate rests in peace. |
Padova - Italy
After crossing through Switzerland, the first big city we stopped was in northern Italy in the historic city Padova. It is the capital of the province of Padua, with a population of 214,000 as of 2011. We only stayed for a few hours, visiting the main historical centre and tried to document with my camera the journey through the city. I found really interesting the architecture of the city and the vibrant colours of the buildings. What I am really fascinated by this country is the fact the Italians have preserved their historical centres for centuries and the authenticity of the Italian cities is unique. Padova is the setting for most of the action in Shakespeare's The Taming of the Shrew. There is a play by the Victorian writer Oscar Wilde, titled The Duchess Of Padua.
Pescara - Italy
Lonely Planet: Abruzzo's largest city is a heavily developed seaside resort with one of the biggest marinas on the Adriatic. The city was heavily bombed during WWII and much of the city centre was reduced to rubble. It's a lively place with an animated seafront, especially in summer.
Our last stop before Bari where we took the ferry to cross over to Greece, was Pescara. Pescara is the capital city of the province of Pescara, with a population of approximately 123,000 residents. Pescara used to be a fishing trading centre, thus the name Pescara which means "fish".
I was fascinated by the fact that most of the historic centre was perfectly preserved and had not been overshadowed by tall building apartments. Everything from the houses with the vibrant colours and the fountains, till the paved old street was perfectly preserved. And that is what is very admirable of Italians as they managed to preserve up today their historic centres. The fact that not even cars were allowed in some parts of the city due to the fumes they produce, was interesting. After I enjoyed my traditional Italian coffee, I went to photograph the area around the main beach. It was cloudy and the colours of the sky due to the sunset were unfortunately not perfectly captured with the camera. I photographed from different perspectives and then I enhanced some of my images in Photoshop to express the real colours and tones I was seeing the exact moment when I was taking the pictures.
Our last stop before Bari where we took the ferry to cross over to Greece, was Pescara. Pescara is the capital city of the province of Pescara, with a population of approximately 123,000 residents. Pescara used to be a fishing trading centre, thus the name Pescara which means "fish".
I was fascinated by the fact that most of the historic centre was perfectly preserved and had not been overshadowed by tall building apartments. Everything from the houses with the vibrant colours and the fountains, till the paved old street was perfectly preserved. And that is what is very admirable of Italians as they managed to preserve up today their historic centres. The fact that not even cars were allowed in some parts of the city due to the fumes they produce, was interesting. After I enjoyed my traditional Italian coffee, I went to photograph the area around the main beach. It was cloudy and the colours of the sky due to the sunset were unfortunately not perfectly captured with the camera. I photographed from different perspectives and then I enhanced some of my images in Photoshop to express the real colours and tones I was seeing the exact moment when I was taking the pictures.
Brief: Decisive Moment in Street Photography
Brief : Street Photography and documentation of the impact of the economical and political changes on everyday life.
My main inspiration for this project idea was the insight research I conducted on the words biggest photographers, and the impact their body of work has throughout the years. I find the mixture of pleasant and nice looking images, with the deeper contextual meaning very interesting and that is why I decided to develop upon this project. I will start explore the idea of street photography from my trip to Berlin which I found a very good opportunity to look at a different, also multicultural environment other than London.
My main inspiration for this project idea was the insight research I conducted on the words biggest photographers, and the impact their body of work has throughout the years. I find the mixture of pleasant and nice looking images, with the deeper contextual meaning very interesting and that is why I decided to develop upon this project. I will start explore the idea of street photography from my trip to Berlin which I found a very good opportunity to look at a different, also multicultural environment other than London.
Set-1
For my first set I wanted to expolore the idea of street photography, after the ideas from the study I did on street photographer for my curatorship task. I began my travel in Berlin where I mainly focused on the streets, without any specific idea in my mind but by letting my imagination and creativity to work independently. Witho my eye through the lense I was looking around the streets for something interesting and visually compelling. Berlin which is the capital of Germany is one of the biggest cities in the world and the multicultural micture of people from different backgrounds all living in this city is what makes it more intresting. Due to the significant amount of historical buildings destroyed in the World War II, there were not many historic buildings to photography. Almost the entire centre of the city had been rebuilt in just a few decades. the main use of bikes and other meanes of transport is what makes Berlin a very clean and safe city.
After I took a series of images for central Berlin, I created a few contact sheets showcasing the of images I took on my journey, as I think that contact sheets are a very important in order to see the body of work as a whole, and as idndividual pictures. I chose my favourite images and altered them in Photoshop in order to give them a bit more tone and contrast.
I felt very confident about my first strant as it was the first development in exploring street photography. I think my images are a good example of street photography, and express a wider cultural and political background (See last two pictures). I think most of them are visually compelling and pass the atmosphere of a busy, full of life city. For my second development I would like to focus a bit more on urban life in London.
Set-2
For my second set I decided to explore the urbam life in London of the busiest metropolitans in the world. With a population of more than 8.5 million people, London is one of the largest cities in the globe, making it a cultural, political and economic centre. The variety of people and ideas going around in this city is astonishing. In every corner there people from different backgrounds and ethicities, which harmonically live in the same city. The vibrant and intresting life going around is the streets of London is what exactly I wanted to capture in this set. I focused on capturing candid street images from the everyday life of people around the streets. I photographed from different angles, focusing on the subject I individually chose randomly. I either took pictures where there is a frozen movement of my subject or of stationary subject. I took picture of different people either with their pictures or without. In a city as busy as London, everyone is rushing to go somehwhere and evryone is focused on their way, that is why most street photographer, and the ones I explored in Curatorship go invisible, because evryone is isolated in their one individual words, most times ignoring of the reality around them. Although the sound of my shutter closing is crystal and clear no one is turning around to see, something which makes my work much easier, as photographing in the street in rush hours can be very stressful with everyone speed walking and pushing you, or yelling at you when your using a flash ring (as a few of the most famous street photographers do in order to create very realistic and candid raw images).
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I chose to photograph in colour as in the rush of photographing I do not really have the time to decide wether it is more suitable in colour or in black and white. I created the contact sheets using Bullzip PDF, and chose the best images. I left a few in black and white, toning them and increasing a bit the contrast and the hue in order to make them more colourful, which I think suits the urban lifestyle, and chose some other, which I turned in to black and white. The reason I felt that some images are better in black and white cannot really be descrived in words to be honest. It is more of consciousness of how I feel it suits the image easthetically, it does not have to do with restriction or pattern. Most street photographer choose to mainly photograph in either colour or black and white but certainly at some point of their lies they used both. A few of them use both, as different images and sets, suits different purposes and it might look better in colour or the opposite.
This is a picture taken by renowned street photographer Elliott Erwitt, in the streets of New York City in 1946. The passion is what drove Erwitt to take upon an entire series of images named "Dogs". The picture is in black and white, although it does not seem stages, the photographer seems like he has been waiting for the right moment and composition to take the picture. From a contact sheet I found online showcasing about fifteen images till he gets the proper one. The angle and perspective he chooses to take the image is quite unique and intresting. The perspective of the dog comperativle with the human, is different than the usual and that is what I find very crestive about this image.
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This picture was taken by me in Old Street and is very similar to Erwitts picture in terms of context and perspective. The images is taken slightly above the level of the dog as i tried to take the picture as fast and unnoticable as I could. but for my luck the lady kind of stopped for a second, which gave me the chance to take the shot. I really like the black and white result with the high contrast of the dogs black fur and the lady's shpes. I think the image explore the idea of street photography in the city and also links it with the idea of the realtionship of owner and pet which is a very strong bond, and the reflection of the character of the animal pet, with the character of the owner of the pet.
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In general I liked the result of my second set and the reflection of the further development in my images. I think the experimentation with black and white worked out really well and intent to keep on with it in further developments.
Set-3
Continuing on with my project I felt the need to connect the interaction between social events with crowds of people, and worthy of capturing the reactions and evryday interactions of these people in different situation. The ideal day was a sunny day in central London, where there was a cheerful and happy Rememberance Day in March. The weather was great and the peoples mood cheerful. many people gathered near Westminster, despite the ongoing sudden terrorist event that happened prior to that. Despite the sad and mad things happen all over the world and the difficult times we are going thorugh, people still unite and gather for event such that. Lost in the crowd which was concentrated in the march, enjoying their beverages, I sneaked behind and inbetween the crowds trying to capture either their expressions and interactions with their surrounding, or the ongoing situation. Also I took pictures around Southbank as the amount of pictures I took in the march was limited.
After taking my pictures, I created contact sheets in Adobe Bridge, and selected my favourites to further develop in Photoshop. Below I printed one of my contact sheets and used crayons to paint on it, thus making the contact sheet the piece of art. Through that I wanted to point out the importance of contact sheets, as people usually ingoner them or find them dull, and that is why inspired by other artists I used coourful crayons to draw rando shapes on it. I liked the colourful result on the black and white contact sheet, which makes it visually intresting and a creative form of expression.
I think that this set was not as succesfull as I thought, due to both the lack of variety of images I took and the misguidance from my main path. I think halfway of the set I kind of lost focus on what I was taking pitures something which I think made the set a bit confusing. In the next set I want to mainly focus in black and white, with a few colour images, of low contrast, and try to make my scenery a bit more abstract, focusing on my subject longer and not taking candid images or random pedestrians. I will also focus on shadows, shapes and form whoch are going to be the main elements of my images.
Set-4
For my fourth set I went on to photograph mainly in Southbank. I pointed my focus on taking a bit more abstract street photographs, zooming in to my object, only showing a part of what I acctually saw. I found the result very interesting as the images tend away from the normal street photographs I took on previous sets and expand a bit my knowledge in street photography. I try to take pictures from different perspectives and angles of objects and scenes which I have taken in other part of my A Level in Photography, but focusing only on a part of them which I had not done previously. I think the isolation of elements in the pictures, avoiding busy streets and crowded places, make the images more relaxing in the eye and also very intresting. My main influence was the amazing photography by Fan Ho, who mainly photographed in Hong Kong throughout his entire career, taking abstract images from everyday life in the city.
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I created creative contact sheets for this set as well, as I felt the need of showcasing the process I went through, that of selecting the best images out of a samle of many of them. The selction of the perect shot is one of the most important steps in understanding photography and visuallising this process in a creative way really helps me expand my ideas.
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I think that set was my most succesfull so far and really depicted its purpose. I had a bigger variety of images and subjects and the result of high contrasted and toned black and white images is exactly what I had in mind.
Set-5
For my fifth set I decided to decline a bit from my main route and depict another imporant part of London lifestyle, which is consumerisation and globalisation. With the continuing expanding of international markets, and the development sector of advertising and goods consuming, everyday shopping of materials and goods unnecessary to most people, I felt the need to try and depict that situation, in my images. In a set of series taken in cetral London in areas with lots of shops, mainly in Oxford Street I photographed poeples interactions around shops and their surrounding environment. I took images from various perspectives which I felt where appropriate in each situation and kept my images, in their original form in colour. Below there is a showcase of my favourite images :
I feel that this set despite the declining from the main path, served its purpose, thus despite not being as good as others I decided to showcase it, as I think it is important to show how I moved in this project, and the development and progress evolved during this process.
Set-6
For my sixth set I decided to stick with the idea of my fifth set. Focusing on taking pictures where the subjected is focused and the images are "tidy" and slit, without a lot of noise, information and busy streets, transferring the vibe of a silent city is what I felt suited me the best. Mainly photographing again in central London, due to the minimaistic architecture and the "clean" lines and shapes in the surroundings, combining it with my human subjects, is what is inovlved in this set. Street phootgraph in blck and white in colour which focuses in expressing an empty environment and a minimalistic concept is what really atrracts me and I think make my work intresting.
I created contact sheets above, and below are my favourited edited images which are high contrasted and focused on the main subject.
I am really pleased witht the result of my work as I think the images are very intresting and work as individual pieces of work.
Final Piece
For my final piece I decided to continue on with the artist I preferred most Fan Ho and tried to depict isolation, minimalism and architecture in the city. This topic intrested me more and I am very pleased with the result. On the final day, on the mock I edited my favourite images I took, showing the evolution of my work throughout this project.